The aim of “Invisible Grey” is that participants are able to feel various
shades and rhythms of grey created by different kernings of letter through
interaction with the installation, for instance, touching.
The project opts to take a easier way for viewers/participators to perceive
their own understanding and feeling towards typography.It is educational in
some ways, providing a platform for people out of art, design area to get to
Taking advantage of the flexibility of clay, the project is also a study of
materiality. Stamping on the clay first, and then putting pieces into oven
gives the mockup a sense of reality.